Chamberlin Free Public Library Catalog

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Rosarita /

By: Material type: TextTextPublisher: New York, NY : Scribner, an imprint of Simon & Schuster, LLC, 2025Copyright date: �2024Edition: First Scribner hardcover editionDescription: 96 pages ; 19 cmISBN:
  • 9781668082430
  • 1668082438
  • 9781668082447
  • 1668082446
Subject(s): Genre/Form: Additional physical formats: Online version:: Rosarita.DDC classification:
  • 823/.914 23/eng/20240819
LOC classification:
  • PR9499.3.D465 R67 2025
Summary: "Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park's lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita's mother-that they had been friends when Bonita's mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed. Days later, haunted by the encounter, Bonita seeks out the woman, whom she calls The Trickster, and follows her on a tour of what may, or may not, have been her mother's past. As a series of mysterious events brilliantly unfold, Bonita is unable to escape The Trickster's presence, as she is forced to confront questions of truth and identity, and specters of familial and national violence"--
Holdings
Item type Home library Collection Call number Status Date due Barcode
F F Chamberlin Free Public Library Fiction F DES (Browse shelf(Opens below)) Checked out 05/08/2025 34480000610158

Originally published in Great Britain in 2024 by Picador.

"Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park's lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita's mother-that they had been friends when Bonita's mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed. Days later, haunted by the encounter, Bonita seeks out the woman, whom she calls The Trickster, and follows her on a tour of what may, or may not, have been her mother's past. As a series of mysterious events brilliantly unfold, Bonita is unable to escape The Trickster's presence, as she is forced to confront questions of truth and identity, and specters of familial and national violence"--

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